PIIRI PEAL EHK NII ME OLEME
Lavastajad: Peeter Raudsepp (I vaatus), Mehis Pihla (II vaatus)
Kunstnikud: Mirjam Aimla (I vaatus), Bibi-Ann Kahk ja Terje Kähr (II vaatus)
Valguskunstnik: Mari-Riin Villemsoo
101 etenduskunstitudengi koostöös valminud ühislavastus
Teater Vanemuine suur saal
2015
“Piiri peal ehk nii me oleme” on 2015. aasta Eesti Teatri Festivali Draama kuraatoriprogrammi raames valminud ühislavastus. Humoorikas lavastus heidab pilgu etenduskunstide tudengite kooliellu ning tutvustab vaatajale igas mõttes etenduskunstide telgitaguseid.
Esimeses vaatuses osalesid erinevate etenduskunstide erialade tudengid ning lavastus andis ülevaate iga vastava kooli või osakonna elust. Kuna stsenograafid teevad oma põhitöö ära enne etendust, siis rääkis meie eest lavakujundus, mitte eraldi sketš nagu teiste puhul. Stsenograafiaõppes veedame suure osa oma kooliajast makettides nokitsedes, nii otsustasin ka lavakujunduse makettidest kokku panna. Muutsin lava justkui hiiglaslikuks maketiks, joonistades valge teibiga lavapõrandale mxm ruudustiku, mida kasutatakse sageli makettides, et paremini paigutust määrata. Lisaks riputasin lava kohale 50 eri suuruses ning erinevate lavade maketti, stangede kaupa esimesed kõrgemale ja tagumised madalamale, nii et terve lava ülemise osa katsid musta värvi maketid. Esialgu oli plaan ka maketid seest valgustada ja neid justkui lühtritena kasutada, kuid kahjuks ei olnud see festivali raames tehniliselt teostatav. Sellest hoolimata tegi valguskunstnik suurepärast tööd ning jäin lõpptulemusega rahule.
BORDERLINE: AS WE ARE
Directors: Peeter Raudsepp (I act), Mehis Pihla (II act)
Designers: Mirjam Aimla (I act), Bibi-Ann Kahk ja Terje Kähr (II act)
Lighting designer: Mari-Riin Villemsoo
Co-work of 101 studients of the performing arts
Theatre Vanemuine
2015
“Borderline: As We Are” is a performance created within the curator program of Estonian Theatre Festival Draama in 2015. The humorous play takes a peek into the school life of stage arts students and introduces the viewers the backstage of stage arts in every way.
In the first act, the students from different stage arts fields participated and the play gave an overview of the life of every school or department. As the scenographers do their main work before the premiere, the stage design spoke for us, not a separate sketch as for the rest of the students. In scenography studies, we spend a lot of school-time working on models; hence I decided to compose the stage design of maquettes as well. I turned the stage into a huge model, using the white tape to cover the stage floor with mxm checkboard, which is often used in maquettes to better estimate the placement. In addition, I hung 50 maquettes of various stages in different sizes above the stage, by bars – first ones higher and further ones lower, so the whole upper part of the stage was covered by black models. First, the plan was to light the maquettes from inside and use them as chandeliers, but unfortunately, it was technically impossible to do at the festival. Nevertheless, the lighting artist did a great job and I was satisfied with the final result.
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